This lecture was delivered to the Socialist Equality Party (US) Summer School on July 24, 2019 by Barry Grey, US national editor of the World Socialist Web Site and leading member of the Socialist Equality Party in the US.
The WSWS is posting a three-part series originally published in July of 1987 under the title “Twenty years since the Detroit rebellion.”
WSWS National Editor Barry Grey delivered the following report to the Founding Congress of the Socialist Equality Party on August 9, 2008.
The International Socialist Organization is concerned that politically radicalized students and youth who are attracted to socialism are hostile to American military interventions in Syria and elsewhere.
The groundswell of support for Sanders indicates a growing interest in socialism, but workers will not find in his campaign an alternative to capitalism.
Democrats promote “white privilege” fiction to block united working class response to fascist coup plot
The central premise of the racialist narrative—the existence and all-pervasive role of “white privilege”—is contradicted by the realities of American society.
The rush to take down symbols of racism that the American political establishment has kept in place for decades is a defensive response to an outpouring of public horror over the Charleston killings and popular hostility to racism.
The Stalinist suppression of the Barcelona working class and ensuing blood purge broke the back of the revolution and ensured the victory of Franco’s fascist forces. Ramon Mercader, the GPU operative who murdered Leon Trotsky in Mexico in August of 1940, cut his teeth as a Stalinist killer during the mass repression in Spain. None of this is even mentioned in the Jacobin article.
With the imposition of a state of siege in Boston, a historical threshold has been crossed.
The real problem of the opera, the irredeemable original sin of Porgy and Bess that every reviewer is duty-bound to point out, is the fact that its creators were white.
At the University of Michigan
Given the generally deplorable state of culture and intellectual life in contemporary America, it was perhaps inevitable that this remarkable event would be tarnished by the purveyors of racialist conceptions of art.
British playwright Harold Pinter, this year’s Nobel laureate for literature, delivered a passionate, truthful and courageous acceptance speech to the Swedish Academy on Wednesday. The renowned author of such plays as The Homecoming and The Caretaker, Pinter has spoken out tirelessly and powerfully against the war in Iraq and the depredations of American imperialism in the Balkans, Central America and elsewhere that preceded it.
Interview with conductor William Barkhymer: “I think the world is just thankful we had Gershwin to compose Porgy and Bess”
“For me, Porgy and Bess is about a community, the people, how they interact with each other, how they hold together in good times and bad times.”