Paul Greengrass’ The Uprising: Revolt against intolerable conditions in the past—and present
Pandemic, war, economic crisis, the machinations of the ruling class, revolt—these are timely matters. To find a film echoing them is significant.
Pandemic, war, economic crisis, the machinations of the ruling class, revolt—these are timely matters. To find a film echoing them is significant.
The final season excels in the sphere of production values, atmosphere and acting performances but fails miserably to deal with the central political question: How could Hitler have been prevented from taking power?
Gelb has been in the forefront of the anti-Russian campaign ever since 2022.
Actors have gone public about a situation that was once considered embarrassing to acknowledge: not being able to meet the union threshold.
The final season excels in the sphere of production values, atmosphere and acting performances but fails miserably to deal with the central political question: How could Hitler have been prevented from taking power?
Channel 4’s Dispatches investigation represents a rare break with the silence and evasions that have characterised the British media’s coverage of Gaza
The new series bears only a limited resemblance to Miles Franklin’s portrait of the harsh realities facing small farmers and their families in the late nineteenth century.
The censorship by ZDF management of a song by Danger Dan and Igor Levit calling for resistance against the AfD provoked no storm of outrage from the programme's hosts.
Pandemic, war, economic crisis, the machinations of the ruling class, revolt—these are timely matters. To find a film echoing them is significant.
During a panel discussion at the film’s London launch, Paul Lewis exposed the incoherence of the Netanyahu regime’s response to Naza. On the one hand, the government claims the film is “false”, “misrepresentative”, and full of lies. On the other hand, Netanyahu argues that those appearing in it should be prosecuted for revealing state secrets.
The film focuses on two teenagers without presenting the social context that could explain why they are drawn to the far right.
Vithanage’s films are distinguished by their sensitivity to the social and class relations in Sri Lanka, past and present.
Gelb has been in the forefront of the anti-Russian campaign ever since 2022.
The singer came from a Puerto Rican working-class background and was known not only for her beautiful voice but also for the warmth of her personality.
The company has come up with $10 million, the equivalent of pocket change for its multibillionaire owner, to ensure that the coming season of the symphony goes ahead.
The highly regarded Nashville Symphony is suspending the rest of its 2026-27 season due to lack of funding.
Part two of a 10-part series on British historian Hakim Adi’s book on the Communist International and Africa examines how it erases Leon Trotsky’s role in founding the International and his theory of Permanent Revolution.
Adi’s book is an exercise in Stalinist historical falsification. He turns the history of the Communist International into a grotesque caricature to lend revolutionary credentials to Pan-Africanism.
Mary Anne Trasciatti’s valuable biography documents Flynn’s passage from IWW militancy to Stalinism but leaves the roots of that transformation unexplained.
The discussion between Mehring Verlag representative Katja Rippert and the book’s editor, Johannes Stern, editor-in-chief of the German-language edition of the World Socialist Web Site, is now available on video.
The mass anti-government agitation in Sri Lanka “was the result of real class differences in our society, the divisions between the haves and the have nots” – Prasanna Vithanage
One of his most accomplished works is Omar, a 2013 film about a young Palestinian baker (Adam Bakri) who becomes involved in complex political and moral matters.
“I strongly denounce state-sponsored witch-hunt and prosecution against artists and activists who have come forward against Israel’s genocide.”
Department of Defense interventions into American entertainment media is to “get people acclimated to the presence of military personnel, military bases, military operations, and weapons… normalizing the presence of the military in almost every aspect of life.”